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	<title>Comments on: Dispatches from CMJ, Day Four: Land of Talk, Broken Social Scene</title>
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	<description>Meditations on Culture since 2006.</description>
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		<title>By: T-Sides &#187; Blog Archive &#187; T-Sides&#8217; 2008 in Review: Concerts</title>
		<link>http://www.t-sides.com/2008/10/27/dispatches-from-cmj-day-four-land-of-talk-broken-social-scene/comment-page-1/#comment-280130</link>
		<dc:creator>T-Sides &#187; Blog Archive &#187; T-Sides&#8217; 2008 in Review: Concerts</dc:creator>
		<pubDate>Wed, 10 Feb 2010 23:22:35 +0000</pubDate>
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		<description>[...] review of Siren here. Full review of Brooklyn Masonic Temple here. Their set at Siren was incredible, despite Kevin Drew being sick. Their set during CMJ was [...]</description>
		<content:encoded><![CDATA[<p>[...] review of Siren here. Full review of Brooklyn Masonic Temple here. Their set at Siren was incredible, despite Kevin Drew being sick. Their set during CMJ was [...]</p>
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		<title>By: T-Sides &#187; Blog Archive &#187; T-Sides&#8217; Decade in Review: Albums</title>
		<link>http://www.t-sides.com/2008/10/27/dispatches-from-cmj-day-four-land-of-talk-broken-social-scene/comment-page-1/#comment-277326</link>
		<dc:creator>T-Sides &#187; Blog Archive &#187; T-Sides&#8217; Decade in Review: Albums</dc:creator>
		<pubDate>Tue, 02 Feb 2010 19:08:34 +0000</pubDate>
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		<description>[...] I vividly remember the first time I heard &#8220;Anthems For A Seventeen Year Old Girl.&#8221; I was in the dark, comfortable confines of a friend&#8217;s dorm room. It sounded like future music, a song beamed down from another planet, the kind of music I&#8217;d never live to hear created in my lifetime &#8211; except that it had been. You Forgot It In People with its dark cover and eerily gorgeous music felt like the work of some mysterious genius, which is probably why Broken Social Scene still seem otherworldly to me, despite their obvious growth in popularity since. (&#8220;Anthems&#8221; is now so absurdly popular that Kevin Drew laments having to play it at shows.) [...]</description>
		<content:encoded><![CDATA[<p>[...] I vividly remember the first time I heard &#8220;Anthems For A Seventeen Year Old Girl.&#8221; I was in the dark, comfortable confines of a friend&#8217;s dorm room. It sounded like future music, a song beamed down from another planet, the kind of music I&#8217;d never live to hear created in my lifetime &#8211; except that it had been. You Forgot It In People with its dark cover and eerily gorgeous music felt like the work of some mysterious genius, which is probably why Broken Social Scene still seem otherworldly to me, despite their obvious growth in popularity since. (&#8220;Anthems&#8221; is now so absurdly popular that Kevin Drew laments having to play it at shows.) [...]</p>
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		<title>By: T-Sides &#187; Blog Archive &#187; Charles Spearin&#8217;s Happiness Project @ Le Poisson Rouge, Sunday, March 15th</title>
		<link>http://www.t-sides.com/2008/10/27/dispatches-from-cmj-day-four-land-of-talk-broken-social-scene/comment-page-1/#comment-155655</link>
		<dc:creator>T-Sides &#187; Blog Archive &#187; Charles Spearin&#8217;s Happiness Project @ Le Poisson Rouge, Sunday, March 15th</dc:creator>
		<pubDate>Thu, 19 Mar 2009 20:51:52 +0000</pubDate>
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		<description>[...] of many highlights of Broken Social Scene&#8217;s performance at CMJ last fall was the presentation of &#8220;Mrs. Morris,&#8221; the first song from Charles Spearin&#8217;s The [...]</description>
		<content:encoded><![CDATA[<p>[...] of many highlights of Broken Social Scene&#8217;s performance at CMJ last fall was the presentation of &#8220;Mrs. Morris,&#8221; the first song from Charles Spearin&#8217;s The [...]</p>
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